In the early '80s, Tom Wudl abandoned his geometric abstractions on perforated paper in favor of figurative imagery on canvas.
Jeff Joyce taps into the Romantic tradition of painting at the gray-green end of the spectrum.
Ed Moses, one of the originals of L.A. art, promised to go ape in his current two-gallery exhibition and he did so, at least after his fashion.
Wesley Kimler, a 34-year-old painter from Chicago, is billed as a young academic artist working in the tradition of Willem De Kooning, David Park and Jackson Pollock.
Two artists share simultaneous shows and a certain obscurity but otherwise have little in common.
The Atlantic Richfield Foundation has given a $15,000 grant to the Venice Family Clinic, a
to begin planning increased public access to the beach south of the Venice Pier.
One approaches a show of new work by an acknowledged Los Angeles master with about equal parts anticipation and trepidation.
The Venice Area Chamber of Commerce has selected Michael P. Alongi as its new manager.
Osvaldo Romberg's paintings look as if they need to be lanced and drained.
Every summer, L.A.
Mixed-media sculpture by Peter Shelton evokes the peculiar sensation of being estranged from one's own body.
The Venice Town Council and the Coalition of Concerned Communities, a South Bay homeowners group
The CLARE Foundation has dedicated two new cooperative-living centers in Venice.
A small step backward, a big step forward.
Honorable obscurity shrouded the sincere, awkward figurative painting of Charles Garabedian until he was "discovered" as a precursor by the Neo-Expressionist generation.
The ever-prolific and spirited David Hockney has almost wallpapered the gallery with his "Home-Made Prints."
President Reagan on Tuesday declared the week of May 12 National Transportation week.
"One of the great rules of art: Do not linger," decreed Andre Gide.
Like all good logo painters, British artist John Walker employs a recurrent image.