"Oliver!"
At a time when Bill T.
"As you are dancing," Mikhail Baryshnikov has said of "Push Comes to Shove," "you feel like a fish in the sand."
Tapdancing began as an act of personal display on inner-city street corners.
When Los Angeles first caught up with Mikhail Baryshnikov's elegant-circus production of "Don Quixote" back in 1979, the tawdry indulgence served as a no-expense-spared, often amusing, emphatically stellar attraction.
It's been 11 years since the Mark Taper Forum first introduced us to David Rudkin's "Ashes," and six since the last local mounting of it on a professional stage (at South Coast Repertory)--yet this unsettling, acerbic play wears better and better.
Now that diva manquee Joan La Barbara has been the vocalist of choice by the "cutting edge" for a dozen or so years, we are familiar with the bulging catalogue of amazing sounds--literally from a whisper to a scream--she can produce, apparently without end.
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Last week, the California Youth Theatre presented its first show at the John Anson Ford Theatre
In the continual search for ways to make literature more immediate, alive, accessible, John Barton (an associate director of England's Royal Shakespeare Company) and translator Kenneth Cavander came up with the capital idea a few years ago of humanizing those remote, emotive ancient Greeks.
--the Camerata of Los Angeles offered two sizable works during its season-ending performance Saturday night at Embassy Theatre.
What if they gave a farce and no one knew the rules?
Jennifer Holliday is a Big Effect singer in the theatrical mold of Patti LaBelle, Aretha Franklin and, even, Barbra Streisand.
Three collaborative works of varying impact received first performances Saturday at the Japan America Theatre.
Adolph Coors Co., the Colorado brewery, has joined with the Orange County Black Actors Theatre to stage a drama series honoring Black History Month.
Youth is always wasted on the young.
Two women gradually shuck the gauze cocoons they have wrapped themselves up in, step forward boldly and begin sowing imaginary seed, as if enacting American Indian rituals.
Fewer than 700 people actually paid to see American Ballet Theatre on Thursday.
One of the nagging questions after World War II was why fascism wasn't stopped before it led to horrible persecution and a devastating war.
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